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    <title>Alternate Picking </title>
    <link>http://alternate-picking.magix.net/blog/free-alternate-picking-guitar-lessons/</link>
    <description> Alternate Picking from www.alternate picking tech.com
alternate picking for all guitar styles. alternate picking is essential for modern guitar technique and mastery.</description>
    <dc:language>en</dc:language>
    
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    <title>ALTERNATE PICKING: Speed Alternate Picking Tech</title>
    <link>http://alternate-picking.magix.net/blog/free-alternate-picking-guitar-lessons/archives/17-ALTERNATE-PICKING-Speed-Alternate-Picking-Tech.html</link>
    <comments>http://alternate-picking.magix.net/blog/free-alternate-picking-guitar-lessons/archives/17-ALTERNATE-PICKING-Speed-Alternate-Picking-Tech.html#comments</comments>
    <wfw:comment>http://alternate-picking.magix.net/blog/free-alternate-picking-guitar-lessons/wfwcomment.php?cid=17</wfw:comment>
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    <author>nospam@example.com (alternatepicking)</author>
    <content:encoded>
&lt;p&gt;&lt;font color=&quot;#ff0000&quot; size=&quot;2&quot;&gt;&lt;u&gt;&lt;em&gt;&lt;strong&gt;HI and a very warm WELCOME! To a free&amp;#160;Alternate picking guitar&amp;#160;lesson and essential alternate picking&amp;#160;tips&amp;#160;in this blog .......Please read on....&lt;/strong&gt;&lt;/em&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;strong&gt;&lt;u&gt;&lt;font style=&quot;FONT-SIZE: 1.3em&quot;&gt;&amp;#160; THE BASICS OF ALTERNATE PICKING&lt;/font&gt;&lt;/u&gt;&lt;/strong&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &lt;font style=&quot;FONT-SIZE: 1em&quot;&gt;&lt;strong&gt;Using the &amp;quot;SHRED&amp;quot; Style of guitar playing&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;[PLEASE NOTE: These are only Exercises for Alternate Picking Fluency/Precision and Dexterity, This is for Educational purposes only].&lt;/p&gt;
&lt;p&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160; I am going to list the FUNDAMENTAL Essentials for Alternate Picking in this Blog/Website. This is for all the &lt;a href=&quot;http://www.alternatepickingTECH.com&quot;&gt;www.alternatepickingTECH.com&lt;/a&gt; enquiries and anyone wishing to develop alternate picking on the guitar.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;strong&gt;&lt;u&gt;&lt;font style=&quot;FONT-SIZE: 1em&quot;&gt;LESSON No1 &amp;quot;It's all about the rhythm&amp;quot;&lt;/font&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;/u&gt;&lt;/strong&gt;&lt;font style=&quot;COLOR: #ff0000&quot;&gt;&amp;#160;Use a STRICT UP/DOWN movement SLOWLY from the wrist on the rhythm below:&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;/u&gt;&lt;/strong&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=2A99A070F01A11DD934FAE8FC3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;The above exercise is just a monotone rhythm on one note and on one string. This is simple but essential in order to understand that &amp;quot;Gear&amp;quot; changing in terms of rhythm is they answer.&lt;/p&gt;
&lt;p&gt;TRY THE RHYTHM BELOW, clap it first and then Pick it on any note on the guitar fingerboard. Also, try ACCENTING the first beat.&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;48&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=54C75B30F01A11DD8B7C3A9DC3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;141&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=1B824100F01A11DD8500434FC3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;Next you need to try to get a TREMELO going and sustain it. Please start VERY SLOW and then BUILD IT up.&lt;/p&gt;
&lt;p&gt;You might find it help ful if you ANGLE the Pick Plectrum [see below], Many guitarists prefer to use a rigid thumb grip when alternate picking both fast and slow, although there will obviously be moments when this rule is NOT adhered to.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;175&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=408A14F0F01A11DDBDF5B862C3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;By angling the pick [Plectrum] at 90% or at a lesser 45% you will get a &amp;quot;slicing&amp;quot; momentum. This will make it much EASIER to play &amp;quot;across&amp;quot; the strings.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;YOU WILL DEFINETLY NEED ONE OF THESE: metrenome [or a beat device, drum machine etc.&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;300&quot; alt=&quot;&quot; width=&quot;205&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=AB99E0A0F01911DD956BE531C3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;So lets recap,&lt;/p&gt;
&lt;p&gt;a] practice the rhythms above with a metrenome or drum machine at a SLOW 70 to 90 beats per minute.&lt;/p&gt;
&lt;p&gt;b] Hear the change in rhythm between quaver note values and semiquaver notes.&lt;/p&gt;
&lt;p&gt;c] Angle the pick [plectrum] for a slicing and more fluid approach. [Later this will become more apparent] and get a TREMELO going gradually building speed.&lt;/p&gt;
&lt;p&gt;d] Clap out the rhythms above with the metremone and strum them with the metrenome on one chord. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;BELOW VIDEO&lt;/strong&gt;: Here is some VARIATIONS on what has been discussed. Basic guitar with METRENOME with Variations.&lt;font style=&quot;COLOR: #000080&quot;&gt; [Although I use scales in the video we will move onto these later...this video is just to give an idea of Rhythms over Metrenome,synchronisation and much patience]&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;[[VIDEO:http://www.magix-photos.com/permamedia?exportclassid=92B62CB0F02D11DDAC91C95EC3D6D897|metrenome FINISHED.wmv|http://www.magix-photos.com/permamedia?exportclassid=92B605A0F02D11DDBDE09C54C3D6D897]]&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;LESSON No2:&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;OKAY...Now we move on to crossing the strings. Play below as triplets.&lt;img height=&quot;159&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=8F7C3200F01A11DD928E9663C3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;[Also play as groups of six, accenting the first note of each grouping]&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;The above exercise is very simple BUT is brilliant for SYNCHRONISATION between the Right alternate picking hand and the left fretting hand moving across the first two strings. KEY= Focus the last note of the first string and the first note of the second string. This will give you a SMOOTH TRANSITION and sound clean and musical.&lt;/p&gt;
&lt;p&gt;Lets Recap:&lt;/p&gt;
&lt;p&gt;a] Play the above exercise with a Metrenome,&lt;/p&gt;
&lt;p&gt;b] Synchronise the right picking hand with the left fretting hand.&lt;/p&gt;
&lt;p&gt;c] Feel where any TENSION might be coming from in your body. This will tell you if your guitar technique is centered.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;LESSON No3&lt;/u&gt;&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;Here is where it gets a bit more complicated....BUT I will show where the most confusing and common problems occur. &lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;231&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=99E58F30F01911DDADF43493C3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;It is all because of this!!!!....ODD and EVEN Groupings THROW alternate picking all over the place!!!! aaahhhh...it is the guitarists nightmare!!!!...BUT with a bit of analysis we CAN OVERCOME this silly problem.&lt;/p&gt;
&lt;p&gt;Above we see groups of 4 notes this means that every time you cross the string you will land on the next string with same picking stroke that you had previously started on.&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #ff0000&quot;&gt;[please play above exercise to see what I mean]&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;Now Below we see GROUPS OF THREE [Odd groupings]&lt;img height=&quot;231&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=99E58F30F01911DDADF43493C3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;Every time you cross to the next string you will be starting with a different stroke from the stroke you started with previously.....Please play the above exercise,&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;FONT-SIZE: 1.3em; COLOR: #ff0000&quot;&gt;&lt;u&gt;&lt;strong&gt;&lt;em&gt;OKAY HERE IS THE CRUX OF THE PROBLEM .&lt;/em&gt;&lt;/strong&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;FONT-SIZE: 1.3em; COLOR: #ff0000&quot;&gt;&lt;u&gt;&lt;strong&gt;&lt;em&gt;Many guitar players are MIXING the odd and even alternate picking strokes. THIS PUTS A SPANNER IN THE WORKS!!!! It is like bycycling&amp;#160;and someone suddenly putting a stick in&amp;#160;your spokes!!!!&amp;#160;&lt;/em&gt;&lt;/strong&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;font style=&quot;COLOR: #ff0000&quot;&gt;what will happen is that you will play 2 of the same stroke unplanned and the phrase will collapse&lt;/font&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;so lets recap,&lt;/p&gt;
&lt;p&gt;a] Beware of odd and even groupings and alternate picking Strokes&lt;/p&gt;
&lt;p&gt;b] Play the exercise above with a metrenome and understand the odd and even strokes as you cross the strings.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;LESSON N04: Back to Technique:&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;205&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=69DEFBE0F01A11DDBAE0BD6DC3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;In the above exercise you will see the importance of following a straight line across all the strings and the ammount of pick [plectrum] movemnet needed. This straight line is ONLY A REFERENCE point&amp;#160; and is best angled around 45% or the most &amp;quot;Natural&amp;quot; degree for you own personal physicality.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VIDEO BELOW&lt;/strong&gt;; Shows &amp;quot;side&amp;quot; View of Right Alternate Picking Hand&lt;/p&gt;
&lt;p&gt;&lt;span&gt;[[VIDEO:http://www.magix-photos.com/permamedia?exportclassid=507065B0F03111DD8077E0F2C3D6D897|1.wmv|http://www.magix-photos.com/permamedia?exportclassid=50703EA0F03111DDA22421F5C3D6D897]]&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;font style=&quot;FONT-SIZE: 1em; COLOR: #ff0000&quot;&gt;HEALTH WARNING!!!!!&lt;/font&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #000080&quot;&gt;&lt;strong&gt;The movement comes from the WRIST. DON'T TRY TO PLAY FROM THE ELBOW AS THIS CAN CAUSESERIOUS INJURY,e,g, Tennis Elbow.&lt;/strong&gt;&lt;/font&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Lets recap:&lt;/p&gt;
&lt;p&gt;a] Practice all of the above using the above&amp;#160; &amp;quot;straight line&amp;quot; technique.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;strong&gt;&lt;u&gt;&lt;font style=&quot;FONT-SIZE: 1.3em&quot;&gt;&amp;#160;&amp;#160; SCALES&lt;/font&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;221&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=08C2E830F01A11DDAB3574ABC3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;font style=&quot;FONT-SIZE: 1.3em&quot;&gt;&lt;/font&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&amp;#160;&amp;#160;&amp;#160;Above is a Scale of A minor. Practice Alternate Picking this strictly with up/down motions. Again, Practice SLOWLY with a metrenome and pick up speed as you become more confident.&amp;#160;&amp;#160;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;strong&gt;MIXING ARPEGGIO AND SCALE:&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;163&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=B8154300F01A11DDBC20A697C3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;Again, play slowly and get each crossing of the string with the plectrum&amp;#160;SMOOTH. &lt;/p&gt;
&lt;p&gt;APPLY all of the aforementioned principles to the scales and arpeggios.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;STRING SKIPPING:&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;In the first example just move the SHAPE into the correct positions. This will give you economy of motion.&lt;/p&gt;
&lt;p&gt;&lt;img height=&quot;98&quot; alt=&quot;&quot; width=&quot;400&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=D9D01660F03C11DDB49E5969C3D6D898&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;In Closing I have to say that Alternate Picking technique and your progress depends on understanding ALL of the above examples in order to do it effortlessly. It is in a way a black art and is very difficult ot Teach and EXPLAIN...Especially in a website....But...THE CONCEPTS shown in here will really help you if you are dedicated.&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;P.S=ALWAYS REMEMBER=&lt;/strong&gt; You are Unique and your weight, shape, physicality, height all play a part in how you hold,reach,feel and move etc when you play the guitar....BUT these are some elementry essentials that will ensure that you progress to a good proficient skill level.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; Thankyou Very Much for your time and attention,&lt;/p&gt;
&lt;p&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; Clifford Martin&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Thankyou, for visiting this Blog. There will be a New &lt;a href=&quot;http://www.alternatepickingtech.com&quot;&gt;www.alternatepickingtech.com&lt;/a&gt; soon. This is because the current website is&amp;#160; built in FLASH and so takes ages to upload. My aim is to make a simpler HTML site.&lt;/p&gt;
&lt;p&gt;alternatepickingtech 2009c Clifford Earle Martin&lt;/p&gt;
&lt;p&gt;&lt;span&gt;[[VIDEO:http://www.magix-photos.com/permamedia?exportclassid=7E004970E9EA11DDA3FA9BD3C3D6D898|youtube shred.wmv|http://www.magix-photos.com/permamedia?exportclassid=7E002260E9EA11DDB0BF63DDC3D6D898]]&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;strong&gt;&amp;#160;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;strong&gt;Alternate picking essential concepts 2009c&amp;#160; &lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;1] Always practice SLOWLY&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;2] Always use the metrenome&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;3] Always &amp;quot;warm up&amp;quot; with chromatic odd and even exercises&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &lt;/p&gt;
&lt;p&gt;&lt;font style=&quot;COLOR: #003300&quot;&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &lt;img height=&quot;300&quot; width=&quot;400&quot; alt=&quot;&quot; src=&quot;http://www.magix-photos.com/permamedia?exportclassid=AD20D77071CC11DCA8418FB7D45BF13C&quot; /&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color=&quot;#003300&quot;&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color=&quot;#003300&quot;&gt;2008 alternatepickingTECH &lt;/font&gt;&lt;font color=&quot;#000000&quot;&gt;Alternate picking Lessons, Alternate picking tips, Alternate picking speed method, Alternate picking patterns, Alternate picking exercises, Alternate picking licks] FOR FREE.&lt;/font&gt;&lt;/p&gt;    </content:encoded>
                
    <pubDate>Sun, 01 Feb 2009 04:44:43 +0100</pubDate>
    <guid isPermaLink="false">http://alternate-picking.magix.net/blog/free-alternate-picking-guitar-lessons/archives/17-guid.html</guid>
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<category>alternative picking</category>
<category>alternatpicking</category>
<category>alternatr picking</category>
<category>alternatte picking</category>
<category>altnernate picking</category>
<category>aternate picking</category>
<category>atlernate picking</category>
<category>axe</category>
<category>clifford earle martiun</category>
<category>clifford martin</category>
<category>downstroke</category>
<category>economy picking</category>
<category>fastalternatepicking</category>
<category>faster picking</category>
<category>frank gambale</category>
<category>guitarists plectrum</category>
<category>guitarpicking</category>
<category>guitarra</category>
<category>metal</category>
<category>michael angelo batio</category>
<category>potential picking speed</category>
<category>pps</category>
<category>rusty cooley</category>
<category>shawn lane</category>
<category>shred</category>
<category>shredalternatepicking</category>
<category>shreddguitar</category>
<category>shredding</category>
<category>speed pickling</category>
<category>sweep arpeggios</category>
<category>|c: chops</category>
<category>|d: di meola</category>
<category>|d: downstroke</category>
<category>|e: economy of motion</category>
<category>|f: fast picking</category>
<category>|g: guitarist</category>
<category>|h: hredalternatepicking</category>
<category>|j: john mclaughlin</category>
<category>|m: malmsteen</category>
<category>|m: metal</category>
<category>|p: plectrum picker</category>
<category>|r: reke arpeggios</category>
<category>|s: sal di meola</category>
<category>|s: shawn lane</category>
<category>|s: shred</category>
<category>|u: up stroke</category>
<category>|v: vinnie moore</category>
<category>|w: www.alternatepickingtech.com</category>
<category>||: |a: al di meola</category>
<category>||: |c: chops</category>
<category>||: |f: fast picking</category>
<category>||: |f: fast pickingalternate picking blog</category>
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